Candy colors and pretty faces.
Happy Hill uses a style of drawing that has me mesmerized. Joe Mulvey's people are mostly drawn very chunky and wide eyed, with his trademark 'wide mouth' expression on almost everyone. This sense of Disney-like innocence gets blotted away by the story line, which is very VERY dark indeed. You feel even more empathy for the characters. The Wudsman may or may not make himself known in part 1 here, but you know it's only a matter of time.
A nod to the colorist, Chris Sotomayor for going against type and using a wide warm candy colored palette. Not horror show fare of course, but I suspect that's only to suck you into a more malevolent violent sense of dread. When the bad stuff might happen in a cheerful setting you can't really let your guard down.
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