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ARTWORKinternational INC., PRESS - Creating a Global Presence for Visual Artists
NATALIE CHRISTENSEN: GLOBAL MUSEUMS + AWARDS + PRESS / NORDIC ART AGENCY, MALMÖ SWEDEN / LUCIE FOUNDATION + SONY, MUSÉE MAGAZINE (TOP 10 INTERNATIONAL ARTISTS) / A PHOTOGRAPHER TALKS 6 MONTHS / 11 COUNTRIES / 26 PHOTOGRAPHERS / CENTER FOR PHOTOGRAPHIC ART, CARMEL, CALIFORNIA / di VOLUME 5 (SGUAR(di)VERSI), VITERBO, ITALY / SOUTHBEND MUSEUM OF ART, SOUTHBEND, INDIANA / URBAN PHOTO AWARDS 2020, MUSEO DEL TERRITORIO - CORMÒNS, ITALY / PLAIN MAGAZINE, NEW YORK, NEW YORK / YELLOWSTONE MUSEUM OF ART, BILLINGS, MONTANA / COLLATER.AL MAGAZINE, MILAN, ITALY / CHATEAU D'ORQUEVAUX RESIDENCY, CHAMPAGNE-ARDENNE, FRANCE
The first pool I remember was the one I fell into as a small child. It was at an apartment complex that my young parents lived in. I recall falling in, opening my eyes, and seeing the color of the water and the reflection of sunlight shimmering in my field of vision. My mother pulled me out of the water. I was around four years old. Eventually I became a good enough swimmer and spent the summers of my childhood and adolescence in any pool I could find.   My parents were divorced by the time I was eight years old and I spent every other weekend with my dad. Back then he lived in apartment complexes; some of which had pools. My father would let my brother and I play for hours. And during the winter he would take us to hotels that had indoor pools. These stays helped us avoid the sense of loss.    My father’s business endeavors were prone to sudden changes. When times were good, he lived in luxurious homes; the best ones had pools. But when the tides would turn, the moves came abruptly. There were 11 homes in 10 years. And sometimes the pools went dry.   I came to learn that the presence of a pool was a distraction from how impermanent things actually were. Underneath, there loomed an impending sense that everything could be lost. Stable could quickly become unstable, and suddenly we were in over our heads. Yet the pool was always seductive. There was a comfort in the stillness of its waters, albeit a calm that couldn’t be trusted.   Now, I look at pools as windows into my past, and insights into my present. Beyond their surfaces, the depths of my discoveries are seemingly infinite.
DETAILS: EXHIBITIONS AND PRESS
MALMÖ SWEDEN
NORDIC ART AGENCY


NEW PARTNERSHIP! EXCLUSIVE REPRESENTATION IN SCANDINAVIA

AN INTERNATIONAL ART GALLERY CONNECTING ART AND ARTISTS TO SCANDINAVIA

TOP 10 INTERNATIONAL LANDSCAPE PHOTOGRAPHERS
LUCIE FOUNDATION + SONY

COLLABORATORS:
NATALIE CHRISTENSEN + JIM EYRE 
SELECTED FOR EXHIBITION AND AWARD AS FEATURED IN MUSÉE MAGAZINE,  THE 
VANGUARD OF PHOTOGRAPHY CULTURE

4 MINUTES WITH NATALIE CHRISTENSEN
A PHOTOGRAPHER TALKS




A 4 MINUTE VIDEO DIGEST OF A FULL LENGTH INTERVIEW WITH NATALIE CHRISTENSEN - BY CHARLIE PINDER

INTERNATIONAL EXHIBITION 2020
CENTER FOR PHOTOGRAPHIC ART



CARMEL, CALIFORNIA
EXHIBITION: NOVEMBER 14 - DECEMBER 20, 2020

COVER + FEATURE ARTICLE
di VOLUME 5 (SGUAR(di)VERSI)




VITERBO, ITALY

INTERRUPTIONS: MAKING A WAY
SOUTH BEND MUSEUM OF ART



SOUTH BEND, INDIANA
EXHIBITION: JUNE 1 - DECEMBER 27, 2020

7TH EDITION
INTERNATIONAL URBAN PHOTO FESTIVAL



MUSEO DEL TERRITORIO - CORMÒNS, ITALY

FEATURE ARTICLE - NEW YORK, NEW YORK
PLAIN MAGAZINE



CARS AND ARCHITECTURE PAIR UP FOR PHOTOGRAPHER NATALIE CHRISTENSEN - BY TOBY ORTON

YELLOWSTONE ART AUCTION
YELLOWSTONE ART MUSEUM




BILLINGS, MONTANA
EVENTS: JANUARY 22 - MARCH 6, 2021

FEATURE ARTICLE - MILAN, ITALY
COLLATER.AL MAGAZINE



NATALIE CHRISTENSEN AND THE EERIE OF CALM POOLS
- BY GIULIA GUIDO

ARTIST IN RESIDENCE
CHATEAU D'ORQUEVAUX RESIDENCY


CHAMPAGNE-ARDENNE, FRANCE

www.nataliechristensenphoto.com
ARTWORKinternational INC

1816 San Felipe Circle, Santa Fe
NM 87505 United States

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