"Art gets you in the door, story keeps you there."

"Art is visual, so it's easy to take in... ... Make people feel something, give them a reason to root for your characters, and they'll keep coming back. Story invests people. Story is the 'why you should read this'."

-MJ Massey

author of Black Ball.

 

 

"We were always told "don't judge a book by it's cover" growing up, but in comics, that's EXACTLY what everyone does... ... But, I do believe it's true that the books that we truly connect with, the ones we remember long after we've read them, [are] the ones that have a story worthy of the talented artists that work on it."

-Tyler James Vogel

author and co-founder of Comix Tribe.

 

 

I think I'm in agreement when I say that the story -whatever it is, comics, movies, cartoons, novels- is crucial to keeping its staying power to the reader, in retaining them for the long run.

A tale of two stories.

One day on a whim in a used book store I came across Daniel Clowes' Ghost World and bought it for the low low price of $5.99. I wasn't really into the characters or the image the cover portrayed but I knew the art would hold up. BUT, just flipping through a page here and there in the bookstore I found I couldn't stop reading the dialogue, the back-and-forth between (mainly Enid Coleslaw and her roommate friend Rebecca) kept me riveted to the page. I took it home and devoured the story in one sitting.

A year later I saw a vey similar looking book by a different author/artist, Adrian Tomine: Shortcomings, which I bought online for around $20. I wasn't as good. In fact, it left me feeling a bit cheated upon finishing it.

When I'm talking about story I mean the actual, moment-to-moment happenings and language that you're witnessing while reading/experiencing the thing.  You can tell the difference right away when comparing just a few panels from each book.

Ghostworld kept me curious, looking over the shoulder of these two girls wondering what thought's going to spring up into Enid's head next, what weird caper they're going to get mixed up in.

Shortcomings was mainly the story of Ben, an average type guy who manages a movie theater in Berkeley Ca and has a girlfriend who's moving to New York. Ben for the most part is critical, needy, whiny and a bit of a jerk to people. Ben has a thin skin and is easily hurt or insulted, yet unaware of how hurtful or insulting he is to others.

It felt like work to get through Shortcomings. I kept asking myself why should I care about Ben? Yet in Ghostworld that thought never entered my mind, I was too engrossed with the action ('look out! It's the Satanists!!') to worry about anything else.

Story kept me there.

Get Mayfield Eight.

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