I forgot I backed this Kickstarter.

A very happy surprise. Not one but TWO comics in the mailer!

Hollowed 1 and 2

Casey Bowker, writer
Darius Johnson, artist
Michael Hoffert, lettering
Alison Flaherty, editor

Buy Issue Two HERE

The art and colors in Hollowed are a feast to behold. The palette is kept in check with an air of mastery by Darius Johnson as we see pages that alternate between pea green/ochre tan and violet to dark blue. The colors complement the mood of the story very well, as this is in essence a serial killer murder mystery involving two police detectives from different cities.

Where Darius excels in colors he falters a bit in panel-to-panel execution. He also tends to draw people in distorted proportions -which in itself is not a sin, just that I'm not sure Darius is aware of that fact. Heads tend to be puppet scaled to the bodies, and often times lower limbs become afterthoughts. I don't want to get too critical here. I've seen many artists use a cartoony style to tie things together. The question here is I'm not sure if it's on purpose.

The story itself is pretty solid.

Just like Silence of the Lambs or Se7en there's a race to catch the killer who is leaving his victims 'hollowed out': their innards removed, scoured with acid, and a ridiculous smile plastered on their face. There's also some big 'conspiracy corporation' type backstory that may or may not prove significant with the next installment. Some of Casey Bowker's writing is truly moving, like when a detective is describing the victims' smiles:

"...it's a smile like that moment you realize little Cindy-lue is gonna let you get past holding hands... ... and French kiss you in the back of your Dad's hatchback."

Some of Hollowed from a story perspective is kinda cliched, like the obligatory yelling Cop Boss. Bit characters spout out overly snarky retorts.

The sequentials could use a little help. I had to re-read panels several times to understand what's going on.

I think once this team gets future issues of this story under way the visuals will get tighter and show the action better, and in turn the writing will work closer to the visuals. The raw materials are certainly there. All it's going to take is a little more time.

Next Week's Tuesday review:

Looks like I better stock up on my silver bullets:

Night Wolf by Rob Multari!

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