Book One: Miss Delancey’s Tragicomedy: She’s a Gilded Age American heiress in London who is NOT there to marry for a title. He’s a duke with a healthy fortune of his own, but a bankrupt reputation. A match between them serves no practical purpose—but when has love ever been practical?

Book Two: Mr. Cameron’s Duet: He is a master pianist whose music is unfailingly seductive. She is the tone-deaf assistant of a prima donna opera singer. Falling in love shouldn’t be this ridiculously difficult.

Book Three: Lady Townes’ Second Act: She is a wealthy aristocratic widow determined to make the most of her newfound freedom. He is an impoverished gentleman who used to tutor her sons. A clandestine affair should be a simple matter—shouldn’t it?