Artwork description

The magic of a casual line

Some consider the NFT market to be dead. Some believe it's the future, and we are only at the start of something even more significant.The design of the rocket is based on the emoji (🚀), which indicates a rapid increase, for instance, when referring to NFTs going to the moon.This piece shows a father and son observing the crashed rocket, which has been left abandoned and forgotten. The last remains of an era.

At Ξ 1, I'll send a physical print to the highest bidder (40cm * 26cm)

Artwork description

In August 2021, Cornellius II invented the Metaverse shifting machine, thus making it possible to transfer any human being conscience into the Metaverse

And despite we are with them, it seems that animals understand better the evolution itself, just keep walking during the centuries trying just to keep existing.

Video / Photo / CGI

Gif format, 2021.

Artwork description

The magic of a casual line and the subjective Improvisation is the concept of the Ernst Blaad artwork

Artwork description

Spiral glitch is a serie of 3 unique generative artworks video loops.
It oppose the tranquility and hypnose of the spiral to the brutality of an overlayed glitch.

Generated in Touchdesigner.

1280 x 1280
30 fps
10 second loop

Artwork description

Favatars is a project created with Augmented Reality and 3D. I have programmed a filter that turns any face into a futuristic mask with a life of its own. In addition, the filter detects if the user opens his mouth to play with different lights.

Favatars is a collection of +100 unique and stranger masks of famous people.

Artwork description

A cozy evening street with cars rushing in the distance.

Artwork description

Video (color, sound) 1920 × 1080 pixels 1 minute 19 seconds

Edition of 75, 1AP

Collector receives: Full HD MP4 video and documentation, Art Sale Agreement, Artists + Collector Rights.

The hierarchical nature of social media has enabled influencers to become modern-day pagan deities, extending their power over the masses of believers who worship them. In “Neonumens,” Solimán López addresses this idea by exploring the Instagram feed of Brazilian beauty blogger Camila Coelho, who regularly shares makeup tutorials, archetypes of ideal beauty, and her luxurious lifestyle to her 9.2 million followers. The artist focuses on two images posted on the social media platform in particular—one featuring Coelho and two friends, and another depicting a baby shower with a dog sleeping on a couch next to a newborn and a large teddy bear. These images are recreated using 3D libraries and image recognition software, and then incorporated into a virtual installation. A video created by the artist explores the simulated piece, and is accompanied by sound generated from light values extracted from one of the images.

The wireframe structures of the 3D objects and the feature detection marks become neon lights and wire mesh sculptures in a composition that is reminiscent of both an altarpiece and a futuristic shop window display. Overall, the method for obtaining these elements and the resulting imagery remind us of the algorithmic nature of the contents we consume in social media. Coelho’s success and the particular type of images she disseminates result from unspoken rules, social codes, and the snowball effect of being favored by the sorting algorithms of the media platform.