MFJ 64 “Image Machines”
As MFJ reflects on its history, we also proceed into the future, in our continuing inquiry into artists’ cinema—the “image machine”.

MFJ 65 “Architecture On Screen and Off”

No architecture is neutral: its history and the ideologies that drive that history are always inscribed on its surface. Contributions to this issue decipher such inscriptions.

MFJ 52 “Presence”

This issue contains articles on high definition video, 1970s UK film & video installation, and works by Phil Solomon.

MFJ 56 “Material Practice: From Sprockets to Binaries”
The topics discussed in this particular issue are so widespread, so integral in the current climate of artists’ moving image culture, that the metaphor is more apt than ever.