Despite The Shadow Men’s launch having consumed a fair amount of my attention over the last couple of weeks (and in the run-up to it as well), I’ve not been resting on my writing laurels. After a few false starts – mostly caused by uncertainties surrounding some of the plot elements in the opening chapters – I’m pleased to report that work on the second draft of my next standalone crime novel, Without a Trace, is progressing well. As of Sunday (when I wrote this email), I have just over 13,500 words in the can and am thundering towards the first major plot twist with all speed. Because this is a redraft, I’m focusing more this time round on getting things right than on simply getting words down on the page as quickly as possible, so I’m not going to commit to any overly optimistic deadlines at this stage, but I’d quite like to have got the bulk of the rewriting done by the end of December or early January, and at the current rate of progress that doesn’t seem unreasonable.
But that’s not all! While I won't be doing NaNoWriMo this year (I don’t have any projects at the moment that are at a stage that would benefit from that hyper-intensive, “vomit out as many words as you can as quickly as possible” style of writing), I will be continuing a little side project I’ve had on the go for the last few weeks.
This venture was sparked by a conversation with a friend, who mentioned that another author she knows commits to writing 100 words a day of a separate novel he’s developing. 100 words per day is, of course, a glacial pace at which to construct a book, but it requires little in the way of time commitment and means that, assuming you stick at it and meet or exceed the target each day, in a couple of years’ time you’ll have a first draft of a novel you wouldn’t otherwise have written.
I started my own version of the project just under three weeks ago and have avoided mentioning it publicly until now in case it ended in ignoble failure… which, of course, it still might. But with 4,500 words in the can, I’m actually feeling quite optimistic, and more pleased with myself than I probably have any right to feel. I’m not ready to talk about what it’s about yet, save to say that, as per usual with me, it starts with a dead body. In stark contrast to my usual process, I’m writing this one straight ahead, with no outline and only a broad idea of what’s going to happen, but the piecemeal nature of the way it’s coming together seems oddly suited to such an approach. (I did cheat slightly a couple of days ago, though, and jump ahead to write a scene set much later in the story while the inspiration was with me.)
Needless to say, you shouldn’t expect to see the fruits of these labours any time soon. For now, though, I’m having fun. It’s a nice, low-pressure way of generating some additional content without needing to commit to spending hours a day on it or to chasing a looming deadline. And it keeps me out of mischief!
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