What's Inside
Introduction
Nicky Hamlyn and Kim Knowles
REVIEWS
Activating an Oppositional Focus: Prismatic Ground Film Festival
Hannah Bonner
Irreverence as Cultural Praxis; Finding Kuchar in the Balkans
Nevena Dzamonja
Out of Bounds: Japanese Women in Fluxus
Nina Horisaki-Christens
Mary Lucier, Leaving Earth
Rachel Hutcheson
1000 Waters: Julie Perini’s Personal Hydrosphere
Elizabeth Lowe
The Light Decay of History: Diane Severin Nguyen’s Trilogy
Yuka Murakami
Joan Jonas: Good Night Good Morning
Helena Shaskevich
Tony Cokes’s The Book of Love
Troy Sherman
Louisa Fairclough: Mental Falls
Vicky Smith
Meditation, Scholarship, and Ethics: Works by Lili Chin
Grahame Weinbren
BOOK REVIEWS
Celluloid Specimen by Benjamín Schultz-Figueroal
Kim Knowles
New Utopia and Light Fracture by Luther Price
Bradford Nordeen
Hollis Frampton by Michael Zryd
Joshua Peinado
ARTIST PAGES
Katherine Frazer
ARTICLES
Mythopoesis from Tenochtitlán: Annalisa D. Quagliata Blanco’s
¡Aoquic iez in Mexico! /¡Ya México no existirá más!
Byron Davies
“We Hate the Whole System”: Skip Norman’s Revolutionary Legacy
Edward Frumkin
STUDIO VISIT
Elise Rasmussen Studio Visit
Camila Galaz
CONVERSATIONS
‘Lives from the Ruins’: An Interview with the Curators of Stitching Keffiyehs
Tamar Beja, Asma Kazmi, and Gazelle Samizay
Techne: The Art of Becoming, An Interview with Gary Hill, part 1
Andrzej Jachimczyck
REMEMBRANCES
Lourdes Portillo
Soco Aguilar
Bill Viola
John Hanhardt
ONLINE
Process and Material plinths: Margaret Honda’s films
Arindam Sen
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